Showing posts with label Art. Show all posts
Showing posts with label Art. Show all posts

Friday, June 22, 2012

A Website of My Own

Pulling on my big-girl pants, I step into a whole new adventure--my very own Word Press website! Thank you to web designer extraordinaire, Blake Webster (really, that's his last name) at Media Design. I'll be posting from the new site, so please join me over there: jolauer.com

Thank you for following me these last several years as I stumbled and splashed my way into the world of blogging. I hope I've provided you some moments of entertainment, inspiration, reflection, or just a short escape. There's a Comment feature on the website, so feel free to stay in touch that way.

Remember, I firmly believe that we are all unique expressions of the creative spirit. Shine on!

jolauer.com

Thursday, January 26, 2012

Only Child


I’m beginning to see the value in having been an only child for the first five years of my life. I learned how to entertain myself.

I’m no longer an only child, but as an adult, although I live by myself, I’m never lonely. If I’m bored, or have extra time on my hands, I pull out my box of collage materials (discreetly ripped from magazines at the laundromat, or waiting rooms, or used calendars, or old greeting cards—there’s no end, really, to the sources of art).

I’d just finished trimming into a neat rectangle a piece of Victoriana from a magazine, all in shades of pink and peach, with roses, antique teapot and cups, lace—you know, real girly stuff.

I remembered a friend who used to refer to herself as a “bull in a china shop,” due to her ample size and questionable coordination.

A grin spread across my face as I dug deeper into the box and extracted just the right clipping—a little brown mouse in a crash helmet—and glued it to the background of delicate breakables. That was good for several minutes of chuckles. Actually, it still makes me smile, and it’s days later.

Wednesday, August 17, 2011

Visual Feast from the Techno/Dino






My last Post spoke of a culinary feast. This one speaks of a visual feast.

My stodgy old dinosaur-self, (who thinks that perhaps computers are just a fad that will surely pass soon—hopefully soon enough that I won’t have to learn all the bells and whistles on my already-outdated Dell), occasionally collides with my present-day in the real world self who is in awe at having the universe at the tip of my fingers through cyberspace.

The above photographs came to me via a friend who downloaded them from the Internet. I don’t know how to find the artist(s) to thank them and credit their work. I do know that the images moved me, and isn’t that, after all, the purpose of art? There’s something timeless about the castle reflected in the palm of the hand, the lightning in the desert, and the sheep trudging up the mountain trail. Anyone from any culture could find meaning in those images. They’re familiar and at the same time strange and intriguing, powerful and stimulating—the stuff from which dreams are made and inspiration is taken.

This is a creative universe, and these photos are proof. I would never have seen them had it not been for an e-mail, and it is my pleasure to share them with you. Even my dinosaur-self can’t argue with that.


Saturday, November 20, 2010

Just in case you missed it…



I know art is in the eyes of the beholder and is hugely subjective in nature—I’m remembering the large white canvass with a red square in the middle and a black dot within the square that drew attention when it was labeled art and hung in a museum. All forms of art, however, are creatively inspired. Someone had to have had a vision.

Jason de Caires Taylor’s underwater sculptures are truly inspired works of art. Part of their allure is watching the way the underwater environment works on them, how they age over time and become coral reefs. I don’t want to spoil the surprise for you, but I encourage you to Google him for more information on his process and a full gallery of his art.

I remember the first time my friends Joan and Trudy took me snorkeling and I was able to see for myself the wonders of the under-water world of fish and coral reefs, dolphins and eels, all manner of life. I’m sure anyone on the surface end of my snorkel would have chuckled at the oohs and aahs coming from the tube. Imagine swimming into a de Caires Taylor scene! Surely I would have inhaled the ocean.

Friday, November 12, 2010

Creative Abundance at CSLSR



November is my favorite time of year at the Center for Spiritual Living in Santa Rosa, CA; it is the month we celebrate creativity and the arts. Wildly talented, often completely unknown artists display their art forms, including short films. There’s a section for children as well.

There are gasps of recognition as people wander through the free-standing walls displaying oil and pastel paintings, found-object composition and installation art, photography, quilts and fabric art, jewelry, pottery—the list goes on. Overheard snippets of conversation: “Oh, she’s in the choir; I had no idea she quilted;” “He taught my Foundations class this year—who knew he was a photographer;” “I know her from the usher group—I didn’t know she did such beautiful jewelry.” This is creativity in community and it excites my heart to be part of it.

Our One Heart Choir is filled with quietly creative beings such as Cyndi Cunningham, whose first-time entry quilt hung proudly on the wall. From her story, I recognize the time/space distortion of complete immersion in your craft: “I get lost in the process,” she writes. “When I get started I have to set a timer, or the whole day will disappear and I will still be in my jammies in front of the machine.” Here is Cyndi’s story.

“My grandmother was a crafter, and my mother sewed garments. I seem to be somewhere in the middle, quilting—the clothes I make are not really fit to wear.

“I started when I was 28, taking classes at the new quilt shop down the street. I sew mostly because I love to make things, it give me a place to be creative, and the ability to give gifts to those I love is so special. It takes a lot of time which is a precious commodity.

“At this time, I have not sold anything because those I have finished have been gifts. I do have several quilt tops that need the attention of the long arm quilter to finish. They remain unfinished because they do not yet have future homes. The name of the quilt in the picture above is ‘buggy barn hearts.’

“In addition to quilting, I do several different crafts: jewelry, scrap-booking, and Japanese hand bound journals.

“My full-time job, up to 60 hours a week, is as a Unit Supervisor at the Developmental Center in Eldridge. The clients I serve are in many ways my family, and I love my job—most of the time. It is stressful work, and the ability to carve out some time at home to be creative really helps to keep my life in balance. It’s something that I give myself. Quilting is also a social outlet; I tend to be a homebody, and a bit of a loner. Taking classes, shopping for fabric, and going to retreats gets me out of the house and involved with other people.”

Have something you’re good at, or have just discovered you have a talent for? Send me a photo and your story so I can share it here (josrca@sonic.net).

Thursday, August 19, 2010

Happy Anniversary


One year ago today, my editor at the time strongly suggested I develop a “web presence” for “social networking.” Being quasi-computer illiterate, the words made no sense to me. That, however, has rarely stopped me. With the help of my nephew, Matthew, and my sister, Sus, we launched a blog site dedicated to the rather broad category of creativity.

Thank you to the 1457 visitors who have checked in from all around the world (there’s actually a statistics function that tells me such things) in support of my blog. In celebration of creativity, please check the following website to enjoy the transformative art of Erika Iris Simmons from Atlanta, GA:

http://www.flickr.com/photos/iri5/

Keep coming back!

Saturday, August 14, 2010

Food As Creativity


I lived in Berkeley, CA in my mid-twenties. It was wonderful and the inspiration for many of my stories. I shared a big house with a bunch of people; we’d have spaghetti dinners at two a.m., long lazy Sunday brunches where we’d munch on lox and bagels while scanning the New York Times and the Berkeley Barb.

One of my housemates, Les, was an incredible cook. Beef Burgundy and French Chicken were his specialties. Looking back, the household was loosely organized around food, the preparing and consuming of rather large quantities of it. I learned to eschew the scant portions and irrational focus on presentation of California nouveau cuisine. A good jug wine sufficed—no pretentious labels or conversation about bouquet and palate in this household.

Chez Pannise had just opened over on Shattuck Ave. It was the be-all-end-all must-try place for anyone-who-is-anyone in the Bay Area. Alice Waters was becoming an upscale household name. We had to check this out. I took my personal scorn and sat across from my housemate, leaning my elbows on the white linen tablecloth. I couldn’t hide my disdain (and as a twenty-something year old, I had plenty of disdain) at the “salad” I’d ordered. Give me a flippin’ break already—this is a lettuce leaf, or leaf of endive, if I’m to be accurate—with a cube of something, a scallop perhaps, and with some other unidentifiable substance drizzled over the top in a decorative “z” pattern. I rolled my eyes over that for months.

Thank goodness we grow up, expand our awareness and our palate, step out of our self-important lives and take in some of the bounty of what culture has to offer or I would have missed one of the most exquisite experiences of my adult life. Some years ago, my friend and I, my daughter, and a friend of hers drove over to Yountville for a late night reservation at The French Laundry. There were seven courses—thank goodness they were all minuscule—each bursting with flavors to die for, beautifully presented, and paired with just the right wine. This was culinary art at its finest, and its most expensive. It was a glimpse of heaven on earth and set in my soul a craving for fine dining.

Give me a raw oyster bar and a good chardonnay, or an exquisite chocolate mousse and a fine cup of coffee and I’m a happy camper.

All this is a lengthy introduction to an excerpt from my story, The First Step, which illustrates how I call upon my life for background material in writing. In this chapter, Shalese, a no-nonsense, blue collar social worker from south side Chicago meets Jenny, a trust fund baby for whom fine dining is a given, and Florence, a wealthy octogenarian obsessed with power and control, at an upscale wine bar in northern California. Shalese’s goal is to create a half-way house for female ex-felons of which Jenny is. She’s also beautiful. Florence has more money than God to invest in a project that will further her own hidden agenda.


In the tiny parking lot of K Syrah there was an open spot next to Jenny’s silver Miata—a car that smacked of white privilege in Shalese’s book. She eased her old Honda in, turned off the ignition, and sat listening to the chatter and laughter of the early crowd on the patio. She unbuttoned the top button of her shirt, took a deep breath, slung her dressy jacket over her shoulder, and gently opened the car door, hoping to avoid the usual skreek of the hinge. Skreek. “Damn,” she muttered.

The old stone building looked like a place where you’d find big bosomed wenches draped over fat squires drunk on ale. The cobblestone pathway led to an intricately engraved oak door that opened into a dimly lit bar. Small red shades dripping crystals hung over low watt bulbs giving the bar a womb-like feeling. Wine glasses glinted overhead suspended upside down from a light oak rack. Soft music, something mid-eastern with zithers, gongs, and chimes subdued the clink of glassware and china.

Shalese spotted Jenny and Florence at a corner table. Introductions were made and the usual small talk gotten out of the way while they squinted in the dimness at the over-sized menus. A New Age Earth goddess named Brie guided them through the specials and returned shortly with the first round of wine and a variety of tapas to begin their evening. Shalese felt like she’d stepped into an ad in one of those pretentious California living magazines, but Jenny seemed quite at home, as did Florence in her matching sweater set and pearls.

Florence swirled her Cabernet, checked the color and clarity, and took a sip. "Mmm," she moaned, "when you start with the best, where else is there to go? So tell me dear, how did this dream of a halfway house come about?" She leaned back in her chair, hands folded in her lap and looked at Shalese in the way people watch pigeons from a park bench.

Jenny was absorbed in spreading soft smelly cheese drizzled with truffle oil on a crisp of bread, her mouth puckered in concentration. She wore a serpentine green sleeveless dress the color of her eyes, and her long blond hair was caught back in a casual bun with wisps curling along her cheekbone.

If I were in the desert, she’d be one long, cool sip of water, Shalese thought. She unglued her eyes from Jenny and with difficulty fixed them on Florence. "Long story short," she said, "a friend of mine was married to an abuser. When she recovered from the latest near-death beating, she bought a gun and shot him in the…well, crippled him for life. Went to prison, and a week after she got paroled, he hunted her down and killed her." Shalese sat back with a sigh, reached for her chardonnay, and then changed her mind, unsure that she could swallow right then. Memories of Vanessa’s petite body lying in a pool of blood on the living room floor came rushing back. She shook her head slowly. "She never had a chance to start over."

"So, that's what you want to do—give women a chance to start over," Florence said, "create a different life for themselves." She forked a bacon wrapped scallop into her mouth and chewed thoughtfully. Shalese nodded.

Jenny swallowed a bite of butternut squash orzo and smiled. She fingered a strand of small amber beads that hung around her neck and looked at Shalese from under long blond lashes. "Where did she go when she got out—your friend? Where did he find her?" she said, joining the conversation.

"My house. I was at work. I couldn't protect her. Will you excuse me for a moment?" Shalese said, blotting at her eye with the corner of her cocktail napkin as she left the table.

"Oh dear, that poor girl," Florence said.

"Shalese or her friend?"

"Both," Florence said and took another sip of her Cabernet.


My future plan is to combine this story with two other novella-length pieces, Grapevine: A California Family Tree, and Sojourn, into a collection that will be called Best Laid Plans, dealing with the undiminishable spirit of women as they navigate the challenges of life. Watch for it.

Saturday, June 19, 2010

Art by Babies



Long week, short entry. Something I find immensely creative is refrigerator art. Have you noticed how your eyes are drawn to your friend’s or relative’s refrigerator door when you’re standing around in the kitchen? What does it say about us as a culture that we cover our refrigerator doors with snapshots, art work, cartoons, magnets with social/political/spiritual messages, theater tickets, etc.?

If I could figure out how to post more than two pictures on a blog, I’d do a study of all the refrigerator doors in my world that I spend long moments gazing at, looking for faces I recognize or memories I share. “Oh, I remember that party.” “I can’t believe your dog was ever that little.” “Aging hippies against the bomb? Right On.”

I digress. What I wanted to write about today was the one piece of art on my refrigerator door that stakes my claim in the Grandma Club. The grand twins, Linc and Ev, now go to a daycare center that keeps their little hands and minds busy all day with movement, music, games, and art (they also catch lots of colds, but that’s just the trade off). The butterflies at the top were their first art project—finger painting. They were eight months old at the time. I mean, I didn’t finger paint until kindergarten!

Some very brave teachers put out sheets of paper and let the little critters smear colors and goo all over (including themselves). Then the teachers cut shapes of butterflies out of the finger painted areas, mounted them on paper and sent them home to the proud parents.

I love having a picture of the outcome to add to my refrigerator door. Even more, what I would love to have had is a picture of the process!

Now for a SPECIAL TREAT (thanks sister Sus for forwarding this), please check out this video by Ilana Yahav who does fantastic sand art. Truly mesmerizing. http://www.dailygood.org/more.php?n=3749
, sa

Saturday, November 14, 2009

Everything is Fair Game



I’m thinking back to my second earliest memory of crouching over a mud puddle in the dirt driveway—I must have been three at most. The rain had cleared, and the sun shone on this mini-pond of water where oil residue floated from the family’s old Chevrolet.

I distinctly remember trailing my pointer finger through the puddle rearranging the rainbow that danced and swirled on the surface of the water. If I tapped the surface gently, little ripples of color spread in concentric circles. In my memory, I was there for a long time (it could have been minutes in child-time), experimenting with different media—a piece of gravel dropped from standing up height, a leaf floated on top. To a child (and I’m hoping to some adults), the world is a big canvas and everything is fair game for art.

All these many years later, the surface of the water in my hot tub when the moon reflects there making beautiful kanji that shape shifts with the slightest movement fills me with the same child-like awe and wonder.

Cloud art is still a favorite pastime from childhood. Ever shifting, what may appear as a princess on a camel at one moment turns into a cat eating an ice cream cone the next. Do you see the salamander in the cloud picture above? Click on it to make it bigger.

Leaves that float along the edge of the creek in a pattern that suggests a story, textured plaster on ceilings and walls (what do you see in the white picture above?), the arrangement of moss on a tree, are all sources of art expressing itself if you take time to look.

The water-trickles on the glass door of my shower have become a favorite canvas. I stumbled on this accidentally. Reaching for the towel I’d tossed over the rim of the shower, I splashed water on the steamy door. The splashes trickled down in an odd pattern. As I watched mesmerized three little children took form. I used my little finger to fill in some detail and found to my delight they were holding hands dancing in a circle. Not being an artist (my sister got that gene), I wasn’t able to recreate the picture once I was out of the shower. But for a moment, serendipity and I created a sweet piece of art there in the shower stall.

If you let your mind be a playground, you’ll never be bored. Creativity is free, and you don’t need anyone else to play.

Saturday, October 10, 2009

Art is in the Eyes of the Beholder


Art is in the Eyes of the Beholder

I work with psychotherapy clients around artistic blocks, self-esteem as a creative artist, issues of self-definition. At what point can you consider yourself an artist, a writer, a playwright, a photographer? Is it external acclaims—a gallery showing, a publishing contract, an opening night, or is it a state of mind? Who gets to say when we’re “there”? And who gets to decide what art IS anyway?

I remember walking through the University Art Museum in Berkeley years ago after the installation of an abstract art exhibit. I stood on the ramp, a few yards away from the largest piece so I could observe the reactions that others were having. Actually, I was looking for validation for my judgments. THIS is art? I wondered. A huge canvas painted black filled most of one wall. Dead center was a round dot of red. Yup, that was it.

“How inspired,” a young artsy woman in a beret said to her colorfully clad friend. “Have you ever seen anything like it?” No, I thought.

“What the…” a professor type pushing a toddler in a stroller muttered, shaking his head has he passed by. Score one for my side, I thought.

I stood for maybe half an hour watching people related to it or not, loved it or hated it; there were no neutral comments. The piece was just a piece. It didn’t get better or worse depending on who was viewing it. It just was. It didn’t suddenly become art. It stirred emotion, speculation, associations, and judgments. That’s what the creative process does.

Extrapolating from that, sometimes you don’t even need a canvas, photograph, sculpture, or book to inspire the creative eye. I was having lunch at a new sushi place with two friends last Sunday. Not only was the food good, the service quick, and the price reasonable, my friend said she also liked the art. She was looking at a blank wall with four holes where once upon a time a picture surely resided. I chuckled, remembering the art museum thing.

We’d been talking about friendships, acquaintanceships, time management, busy lives, only so much energy to go around to so many worthy people and things. I was talking about how I’d let a friendship with a former colleague drift because trying to fit one more thing in was just too overwhelming. Eventually I stopped returning e-mails and phone calls.

“Sort of like the art,” my other friend said, nodding again at the blank wall. “That’s you,” she said, pointing to the largest of the four holes where a bolt once was, “and the other two are orbiting around you,” she said of the 6 penny size hole an inch or so below it, and the 4 penny size hole just below that. Down a few inches was the smallest hole where a screw had been removed.

We all three stared at the wall. “What about that last one, the one at the end of the orbit?” I asked.

“Too far away,” she commented. “That one got screwed.”


* A note about the picture at the top. I went back to the restaurant today to photograph the wall with the holes. No holes. In its place was the arrangement in the photo above. Nice, but it didn’t inspire depthy conversation.